One day, I would like to earn money. And given flaunting myself on street corners got funny looks from a passing nunnery, I am hoping that I could get food in exchange for written words. One thing I am terrified writing are children’s films, because I cannot think of a more difficult writing job. Not only do you have an incredibly discerning audience, harshest of censors, the most critical of producers, but also the most explosively responsive parental grading. For this reason I find someone my age or older say that a kid’s film is; “ok because there was still stuff for adults to enjoy”, referencing the occassional adult joke or overhead homage, to be one of the most depressing attitudes to take.
There’s no need to pander to the audience with jokes as an apology for the rest of what they’re being subjected to, if you doubt the enjoyability if your writing, don’t write it. It can feel that if it’s a kid’s film, it is somehow less of a film. If something’s genuinely good, then anyone can draw from it, this is why Pixar, Ghibli, early Disney and multigenerational medias such as Doctor Who, Sherlock, Simpsons and Sitcoms have audiences of all ages, because the multiverse quality of the writing, performance and overall production can appeal to all. I never stopped watching kid’s films, I just started watching more adult mediums as I grew up. We have age restrictions to stop audiences looking forward, avoiding potentially traumatising porn scenes, not to prevent looking back. A “U” should never be a deterrent, if a film is bad, it’s because it’s bad, the target demographic is irrelevant.